Judging a book by another book's cover.
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"Then Romeo, ‘e dunno wot to do,
The cops gits busy, like they alwiz do,
An’ nose around until ‘e gets blue funk
An’ does a bunk.
They want ‘is tart to wed some other guy.
Ah, strike! She sez. ‘I wish that I could die!’
Now, this ‘ere gorspil bloke’s a fair shrewd ‘ead.
Sez ‘e ‘I’ll dope yeh, so they’ll think yer dead.
(I tips ‘e was a cunnin’ sort, wot knoo
A thing or two.)
She takes ‘is knock-out drops, up in ‘er room:
They think she’s snuffed, an’ plant ‘er in ‘er tomb.
Then things gits mixed a treat an’ starts to whirl
‘Ere’s Romeo comes back an’ find ‘is girl
Tucked in ‘er little coffing, cold an’ stiff.
An’ in a jiff.
‘E swallows lysol, throws a fancy fit,
‘Ead over turkey, an’ ‘is soul ‘as flit.
Then Juli-et wakes up an’ sees ‘im there,
Turns on the water-works an’ tears ‘er ‘air,
‘Dear love,’ she sez, “I cannot live alone!’
An wiv a moan. She grabs ‘is pockit knife. An ends ‘er cares…
’Peanuts or lollies!’ sez a boy upstairs."
* * * *
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"well says frankie beaumont
why don t you cut it bill
i can t says bill
i need the money i ve got
a family to support down in
the country well says frankie
anyhow you write pretty good
plays bill any mutt can write
plays for this london public
says bill if he puts enough
murder in them what they want
is kings talking like kings
never had sense enough to talk
and stabbings and stranglings
and fat men making love
and clowns basting each
other with clubs and cheap puns
and off color allusions to all
the smut of the day oh i know
what the low brows want
and i give it to them"
* * * *
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How It Got Bomped Huff Julius Sizzer
Pot Two
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Sootsayer: "Bewerr from de Hides from Motch, Sizzer!!"
Sizzer: "Why I should bewerr from de Hides from Motch??"
Sootsayer: "It stends in de Crystal Ball signs you should bewerr from de Hides from Motch!"
Sizzer: "Noo, it stends ulso in de sobway signs I should dreenk Cula-Cola!! Is dees a criterion?? Hm -- geeve a look a whole mob -- Hey wot you teenk diss is, boyiss? De Kenel Stritt sobway station? Should I know why it lays a cheeken haggs?? Boyiss -- put away de deggers -- Deedn't I told you guys -- neex on de mommbly-pag beezness -- Whoooooy -- Hay -- I tink wot dey trying to essessinate me!!"
Kraut: "Hm -- You ketch right hon, dunt you?" Wot dey gafe heem witt de deggers so -- wot it looked gradually de gomment like it came beck jost from a wat-wash lundry.
So dees was de cocklusion from Julius Sizzer.
Labels: old books(1)
3 Comments:
My favorite Shakespeare transformation, outside of "Complete Works (Abridged)", has to be Wayne and Shuster's Shakespearean Baseball sketch from 1953 and the founding of the Stratford Festival in Ontario.
My birthday is on de Hides from Motch so I'm now noting that phrase for future reference!
Odd that you have Herriman before that; the Noo Yoick slang sounds a lot like Krazy Kat dialogue.
Ah, dialects. I speak with a strong Southern accent (USA), of which there are many, many variations. I don't feel that my Southern accent is that strong, but there are those who would disagree.
A few years ago I flew into Boston and rented a car. At the gate out of the place, I stopped to ask one of the attendants the best route to the Interstate highway. He quite literally could not understand a single goddamned word I was saying, so we gave up trying to communicate.
In San Diego some time back, a Brit was trying to buy some stuff from my booth, and we had a bitch of a time speaking to one another. My ear was just not attuned to whatever dialect the guy was using. We muddled through.
First time I met Karen Berger (one of only two meetings), she quite pissed me off by making fun of my accent; not in a friendly way, but in a most insulting and arrogant manner--(fuck her up the ass with a two by four).
Inevitably, when I'm north of the Mason & Dixon Line, I will be approached by some Yankee bigot who will begin to wag his tongue concerning "niggers and Jews". They just assume that I'm a bigot, too, because of my accent, having no idea that I hate racists and that my mom was half-Jewish.
Some writers are quite adept at using dialect in their work. HP Lovecraft was awful at it. Both Cormac MacCarthy and Harry Crews use dialect very effectively.
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