invisible man. I've only just heard about Liu Bolin.
LIU BOLIN is a young beijing based artist who has exhibited primarily in china until last year’s solo show at Paris’ Galerie Bertin Toublanc and a group show with the gallery in Miami. he recently finished up a show at Eli Klein Fine Art in New York showcasing a variety of his pieces including some form the series ‘Camoflague’. This series is an exploration of human nature and animal instincts which features Chinese citizens painted to blend into their surroundings. The subjects are covered head to toe in paint, camouflaging themselves in front of the Chinese flag, a billboard or downtown Beijing.
"One hundred years ago, each Chinese man had a long plait behind his back. At that time, this was normal. If a man had no plait or cut it short, it was a symbol of his innovative ideas. But now, the plait behind the back previously was the the hallmark of artists, recently becomes the patent of the hairdressers in hair salon, all of who would be disparaged by the majority people with short hair. Long hair and plait themselves are meaningless. Their meaning depends on the outside environment. Human beings are born in society, so our thinkings are fixed by traditional culture. Human beings are so miserable that even their thinkings are copied unconsciously to the next generation.
The mental enthrallment is more terrible than the physical disappearance."
2 Comments:
Eddie, are you familiar with similar work featuring a German model called Veruschka?
If not, here's a blog I spotted with some examples (including my favorite, the head among the rocks).
oops, forgot the link...
http://elasticback.blogspot.com/2009/03/veruschka-part-1.html
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